What if Nietzsche was also a photographer?

A series on various historic and prominent figures and how would they see the world if they were photographers

How would Nietzsche approach a scene? Would he predominately be a color or a black and white photography person? Would he extract the values from details within a scene or would he the entire frame be viewed as a whole? Too many questions for subjective fictional answers, nevertheless as a part of a series it may be a fun experiment.

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